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Title | OJBR - Welcome to the |
Description | The Online Journal of Bass Research (OJBR) is a refereed electronic journal, published by the International Society of Bassists. The OJBR is published solely in an electronic format, accessible free of |
Keywords | Online Journal of Bass Research, Double bass, Viola da gamba, Serge Koussevitzky 1874-1951, Double Bass History, Double Bass Music History and Criticism, peer reviewed |
WebSite | ojbr.com |
Host IP | 107.180.103.161 |
Location | United States |
Site | Rank |
US$929,087
Last updated: 2023-05-16 14:12:49
ojbr.com has Semrush global rank of 11,392,160. ojbr.com has an estimated worth of US$ 929,087, based on its estimated Ads revenue. ojbr.com receives approximately 107,203 unique visitors each day. Its web server is located in United States, with IP address 107.180.103.161. According to SiteAdvisor, ojbr.com is safe to visit. |
Purchase/Sale Value | US$929,087 |
Daily Ads Revenue | US$858 |
Monthly Ads Revenue | US$25,729 |
Yearly Ads Revenue | US$308,743 |
Daily Unique Visitors | 7,147 |
Note: All traffic and earnings values are estimates. |
Host | Type | TTL | Data |
ojbr.com. | A | 600 | IP: 107.180.103.161 |
ojbr.com. | NS | 3600 | NS Record: ns10.domaincontrol.com. |
ojbr.com. | NS | 3600 | NS Record: ns09.domaincontrol.com. |
ojbr.com. | MX | 3600 | MX Record: 0 mail.ojbr.com. |
home | about ojbr | current issue | archive | submission guidelines | links | advertise | contact us Welcome to the OJBR The Online Journal of Bass Research ( OJBR ) is a refereed electronic journal, published by the International Society of Bassists. The OJBR is published solely in an electronic format, accessible free of charge. Volume 16 of the OJBR presents A Technical Guidance for the Dragonetti Concerto In A Major By Édouard Nanny and Beyond by Irmak Sabuncu. Dr. Sabuncu’s article presents technical preparation exercises and corresponding background information for students who are learning Dragonetti’s famous double bass concerto. The article can also be consulted by double bass teachers who are guiding students who are in the process of learning the concerto. The article offers solutions to identified technical challenges involving bow stroke, thumb position, harmonics, and intonation/shifting. In addition to his own teaching experiences, Dr. Sabuncu’s article is informed by |
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